The two most common elements in the universe are hydrogen and stupidity.

What I try to write about are the darkest things in the soul, the mortal dreads... The closer I get to the burning core of my being, the things which are most painful to me, the better is my work.

I think love and sex are separate and only vaguely similar. Like the word bear and the word bare. You can get in trouble mistaking one for the other.

People don't die from the old diseases any more. They die from new ones, but that's Progress, isn't it? Isn't it?

When you're all alone out there, on the end of the typewriter, with each new story a new appraisal by the world of whether you can still get it up or not, arrogance and self-esteem and deep breathing are all you have. It often looks like egomania. I assure you it's the bold coverup of the absolutely terrified.

My philosophy of life is that the meek shall inherit nothing but debasement, frustration and ignoble deaths; that there is security in personal strength; that you can fight City Hall and win; that any action is better than no action, even if it's the wrong action; that you never reach glory or self-fulfillment unless you're willing to risk everything, dare anything, put yourself dead on the line every time; and that once one becomes strong or rich or potent or powerful it is the responsibility of the strong to help the weak become strong.

It is not merely enough to love literature if one wishes to spend one's life as a writer. It is a dangerous undertaking on the most primitive level. For, it seems to me, the act of writing with serious intent involves enormous personal risk. It entails the ongoing courage for self-discovery. It means one will walk forever on the tightrope, with each new step presenting the possiblity of learning a truth about oneself that is too terrible to bear.