It is not merely enough to love literature if one wishes to spend one's life as a writer. It is a dangerous undertaking on the most primitive level. For, it seems to me, the act of writing with serious intent involves enormous personal risk. It entails the ongoing courage for self-discovery. It means one will walk forever on the tightrope, with each new step presenting the possiblity of learning a truth about oneself that is too terrible to bear.

Any writer who pretends to a disaffection for recognition, I think they're being duplicitous.

The trick is not becoming a writer. The trick is staying a writer.

Writing is a holy chore.

I have but nothing to say to young girls. They're fine to look at, in the way I would look at a case filled with Shang dynasty glazes, but expecting to carry on a conversation with the average teen-aged young lady is akin to reading Voltaire to a cage filled with chimpanzees. I'm certain they would feel the same alienation for me. I can live with that knowledge.

I was the green monkey, the pariah. And I had no friends. Not just a few friends, or one good friend, or grudging acceptance by other misfits and outcasts. I was alone. All stinking alone, without even an imaginary playmate.

Everybody has opinions: I have them, you have them. And we are all told from the moment we open our eyes, that everyone is entitled to his or her opinion. Well, that's horsepuckey, of course. We are not entitled to our opinions; we are entitled to our informed opinions. Without research, without background, without understanding, it's nothing. It's just bibble-babble. It's like a fart in a wind tunnel, folks.