I'm a pragmatic man. I'll veer on the dangerous side, because I love dangerous subjects, but I won't shoot a show in the foot.

I don't look back. I look forward and plan new shows. That's really feeding the most important part of working in the theater.

I really don't spend time thinking about the past. I think about the future. I'm not stopping.

Most of the big money people don't know what would interest an audience if you did it. They only know what interested the audience last time.

The truth is, for some absurd reason, no one is willing to admit that the interests of the producers and the theater owners are not the same.

I really wish people - maybe it's naive - wish people had priorities and were willing to be artistic patrons.

I've never been able to understand where great artists come from.