I think music has gone through a period of something very severe, rather radical, rather the way painting did with cubism.

In the end it doesn't matter what you do.

I wrote music as soon as I knew notation.

I'm not an architectural composer.

I think there are influences that you open the door to, and influences that come under the door.

When I dealt with set theory, I could never make it be the music that I wanted.

I didn't have a record player.