If you're going to define me properly, you must think in terms of my failures as well as my successes.

The loss of anonymity is something that nobody can prepare you for. When it happened, I recognized that I'd lost one of the most valuable things in life. To this day, I'm not all that happy about it

I have children. I have other concerns. I have other focuses. I really feel very sympathetic and I would love to be able to help but I don't see this as the opportunity, having done 'Extraordinary measures', for me to suddenly leap on a soap box and begin to talk about the pharmaceutical industry or the desperate plight of sick children. I do what I can in my world but I don't have the bona fides to do that right now.

I didn't play much ball. I wasn't much of a ball fan.

With the CGI, suddenly there's a thousand enemies instead of six - the army goes off into the horizon. You don't need that. The audience loses its relationship with the threat on the screen. That's something that's consistently happening and it makes these movies like video games and that's a soulless enterprise. It's all kinetics without emotion.

What I look for is identifying what the utility of a character is to the telling of the story overall. If I can identify that from reading the script, then I've got a clear idea of whether or not I think the character is worth playing.

I just don't think of age and time in respect of years. I have too much experience of people in their seventies who are vigorous and useful and people who are thirty-five who are in lousy physical shape and can't think straight. I don't think age has that much to do with it.