The focus and the concentration and the attention to detail that flying takes is a kind of meditation. I find it restful and engaging, and other things slip away.

Work hard and figure out how to be useful and don't try to imitate anybody else's success. Figure out how to do it for yourself with yourself.

Los Angeles is where you have to be if you want to be an actor. You have no choice. You go there or New York. I flipped a coin about it. It came up New York, so I flipped again. When you're starting out to be an actor, who wants to go where it's cold and miserable and be poor there?

An icon means nothing to me. I don't understand what it means to anybody actually. It seems like a word of convenience. It seems to attend to the huge success of certain kinds of movies that I did, but there's no personal utility in being an icon. I don't know what an icon does, except stand in a corner quietly accepting everyone's attention. I like to work, so there's no utility in being an icon.

I thought it was funny. I always thought Star Wars and Indiana Jones were basically comedies. The humour came out of their relationships; it came out of the fact that we were basically types.

I get an opportunity to communicate with the audience about the movie that I've made. I get the chance to bring attention to the film that I've made. I care a lot about the movies that I make. I want them to reach an audience, and I want them to be successful. I promote nearly everything that I do, unless I've got some bad taste in my mouth.

I was 35 when I first hit with Star Wars. I had some degree of maturity and some degree of experience, yet physically I still looked young. That had been an impediment early on in my career, but then it turned out to be an advantage.