I've always been somewhere down from the top, so I've never had to suffer being knocked off the top.

I didn't play much ball. I wasn't much of a ball fan.

The thing I always guard against when I'm talking to people I'm working with about a script is that there's a thing I don't like and it's called "talk story." It's when you're talking about the story; the characters are tasked with talking about the story instead of allowing the audience to experience the story.

I don't do stunts - I do running, jumping and falling down. After 25 years I know exactly what I'm doing.

There is no barrier to Indiana Jones growing older. It's not an age-based character. We can't bang him up as much as we used to, maybe. But I guess I can pretend to have the capacity as well as I pretended before.

The only ambition I ever had going into and committing to wanting to be an actor was to live my life.

As a matter of fact, that was a bit of a problem for me at the beginning of my career - the problem of identification. In The Conversation I played a character who was gay, so nobody recognised me from American Graffiti. When I did Apocalypse Now, after Star Wars, I played an intelligence officer of the American army. George Lucas saw the footage I had done and didn't recognise me until halfway through the scene.