What I observed about my fellow actors was that most gave up very easily.

There is no child left within me, none whatsoever.

That's always my ambition is to create a character out of what will help tell the story. I've never been an actor to say my character wouldn't do that, because he should do that in order to help tell the story.

[On being an actor] .nothing more than a worker in a service occupation . It's like being a waiter or a gas station attendant, but I'm waiting on 6 million people in a week if I'm lucky.

[In relationships with a directors] I want to be able to give and take, and I can't name what it is: respect, energy, investment in the task, focus, humor, intelligence, but I always feel responsible for taking the money.

I was desperately unhappy with it [Blade Runner]. I was compelled by contract to record five or six different versions of the narration, each of which was found wanting on a storytelling basis. The final version was something that I was completely unhappy with. The movie obviously has a very strong following, but it could have been more than a cult picture.

What I think is important for a young person is to figure out how to be useful and not be so concentrated on themselves, but to see what they can do to make the overall collaboration with all the other people involved in a movie work better.