I don't mind playing older characters. I find it interesting. There are parts I couldn't have got when I was 30 years old. So, it continues to interest me in the same way that it always did.

I have the ordinary experience of having the blender bottom come off in my room upstairs. I have the ordinary experience of being anonymous when I'm in an airplane talking to air-traffic control, and they don't know who they're talking to. I have a lot of common experiences. What's important is to be able to see yourself, as having commonality with other people and not determine, because of your good luck, that everybody is less significant, less interesting, less important than you are.

I think people only have so much interest in anybody, and if you barrage them in between the times you have something to offer them you become a personality rather than an actor - much more short-lived. I only work once a year. And that's enough.

I was one of the few people who thought Star Wars was going to work, and I hadn't even seen any special effects.

The trick of this thing and the beauty of this thing is that it's a cowboy movie first and then stuff happens. Even after stuff happens it doesn't change - it hasn't suddenly changed into another kind of movie. It's still a cowboy movie. And that's what's incredible about it because nobody has done that before, that's new territory.

I came across the script [42], and I read it, and I said, "I really want to do this." And when I had my agent call, they said, ah, you know, it's not what they're looking for. So, OK. And then I let it go for a while, and then it just kept gnawing at me, so I kept pushing.

I don't mind playing older characters. I find it interesting. There are parts I couldn't have got when I was 30 years old. So, it continues to interest me in the same way that it always did.