Many who have nothing opposed to the few who have everything, and as long as these disparities remain, as long as these distances remain between people and forces, I think we'll be in a perpetual state of upheaval.

I don't find inspiration on Wall Street. I don't find that in Beverly Hills. I don't find that in places where opportunity resides unbridled, and I think the real creative energy and the real juice is in where people are caught, in the economic abyss.

I like Colin Powell, I like his West Indian background, I like his intellect, I like a lot of things that he does and his style. What is at fault here is a policy that's taking this country to hell.

When I went to Japan I sang in Japanese; when I went to Greece I sang in Greek. When I went to Spain, I sang in Spanish. I couldn't speak it very well, but I sang, I was beautiful in singing it. These things just constantly attracted people to the uniqueness of who I was and the way in which I performed.

I realized that most white Americans knew very little about our history and our struggle, and were having difficulty understanding the basis for our agitation and our resistance and our complaints. I also discovered that while black Americans had a sense of the beauty and tragedy of the journey from the time of slavery until now, we were not rooted in the specifics. I thought one way to familiarize people with that history would be through the voices of the great folk artists.

I think being born in America and growing up exclusively within the American boundaries of race and race oppression is a very different experience for those of us who grew up under the boundaries of race and race experience in the Caribbean or for those who grew up in Africa.

The USA has more people in prison that any other country, including countries with much larger populations. 13% of the population is black but 80% of the people in prison are black, mostly for soft crimes.