Since I have escaped the harshness of the economic bounds of poverty, I have stayed very connected to it spiritually. I reside and live and go and socialize and exist among those who suffer daily from the relationship that they have to poverty, Black men and women who are incarcerated. Actually, all people who are incarcerated, not just Black.

Do not submit. It is extremely critical that repression be met full head-on and that it be resisted with every fiber in our being. There is just absolutely no compromise that can be made with it.

When I went to Japan I sang in Japanese; when I went to Greece I sang in Greek. When I went to Spain, I sang in Spanish. I couldn't speak it very well, but I sang, I was beautiful in singing it. These things just constantly attracted people to the uniqueness of who I was and the way in which I performed.

I don't find inspiration on Wall Street. I don't find that in Beverly Hills. I don't find that in places where opportunity resides unbridled, and I think the real creative energy and the real juice is in where people are caught, in the economic abyss.

Why are we mute? Where are our leaders, our legislators? Where is the church?

I realized that most white Americans knew very little about our history and our struggle, and were having difficulty understanding the basis for our agitation and our resistance and our complaints. I also discovered that while black Americans had a sense of the beauty and tragedy of the journey from the time of slavery until now, we were not rooted in the specifics. I thought one way to familiarize people with that history would be through the voices of the great folk artists.

The USA has more people in prison that any other country, including countries with much larger populations. 13% of the population is black but 80% of the people in prison are black, mostly for soft crimes.