I realized that most white Americans knew very little about our history and our struggle, and were having difficulty understanding the basis for our agitation and our resistance and our complaints. I also discovered that while black Americans had a sense of the beauty and tragedy of the journey from the time of slavery until now, we were not rooted in the specifics. I thought one way to familiarize people with that history would be through the voices of the great folk artists.

I don't know what America has really learned. We are too quick to do what's expedient on behalf of our culture of greed and hedonism. We're quite prepared to go to conditions of tyranny in order to sustain that culture, and we do it in the name of democracy, when nothing could be more undemocratic. We do it in the name of saving the values of our society, when the way we behave corrupts those values. We do it in the name of God in whom we believe, when in fact we have corrupted our own vision of the Christian journey.

I like Colin Powell, I like his West Indian background, I like his intellect, I like a lot of things that he does and his style. What is at fault here is a policy that's taking this country to hell.

I grew up in a school system . . . where nobody understood the meaning of learning disorder. In the West Indies, I was constantly being physically abused because the whipping of students was permitted.

Artists are the gatekeepers of truth. We are civilization’s anchor. We are the compass for humanity’s conscience.

I've always been supportive of the right of Israel as a state, and I've always fought against anti-Semitism, even in my own community.

I come from a sense of struggle, a sense of using the instruments that were given to me to manipulate the environment in which I found myself, and joined up with those who are equally as skillful at manipulating that environment, as was I.