It takes a while for a photograph to mature. That sounds really pretentious, but it takes a time for it to go from here to there.

My ethics are basically around animals. I cannot do animals in distress. I was able to shut myself off with humans, and in a strange way, if you go through violence, you come out stronger at the other end than what you went in.

The thing about photography is that every day is a new day, even if you are working on the same story, because every day you have got a chance to correct what you did the day before, and try to take it a bit further or a bit back.

I don't know what I would have done if I had had to work for a living.

I have always been anonymous, that is the position I should be. And it is hard to say why or how you did something, it just happens.

John Lennon brought his wife Cynthia, a nice blonde girl and she was horribly put out of sight and stayed home. I know it broke John's heart John wasn't happy about it and she was-- because we spoke on the plane. I photographed her and them on the plane coming over. And you know photographs don't lie. They tried putting on a black wig on her for a couple of days and that was the sad part that kept quiet because they wanted them to be like, you know, fresh- which they were

I was next to Bobby [Kennedy] when he was shot. It was hideous. Part of me wanted to crawl away. I couldn't... I still wake up in the night and think about it. I even remember the f-stop. It was 1.4.