We have been working with Habitat for Humanity and we have built eighty homes, 80% of which are being lived in by New Orleans' musicians. It is called the Musicians' Village and at the center is the Ellis Marsalis Center for Music.

I'm looking at [my daughter] right now. To think that I am her dad is the greatest honor in the world. She's an amazing kid. We have a great relationship and she is one of my closest friends. I seek her advice. I like to know what she thinks about things, and she's helped me through some really tough times. I just look forward to years of developing that relationship.

I have a big ego, and I'm a confident person, but when it comes down to being a jerk, that doesn't work for me, I tried it... for about ten years.

Girls liking bad boys is the cookie jar complex. When somebody tells you you can't have a cookie, you want a cookie. But I live in a bad-boy world, artistically. All the jazz boys are bad boys.

You have to do things that do good for you and when there's an uncharted course, you have to figure out how to get through it.

I had a couple albums out that sold well for who I was at the time and the type of music I played. People started recognizing my name and face and it helped sell bigger venues. I had a bigger spotlight and I had to live up to it but I thrived under that challenge. It expedited the creative process. If I was on stage in front of 300 people instead of 30, I had to work harder at my performances because I had a greater responsibility. It was very exciting, but creative too.

New Orleans is my essence, my soul, my muse...