My dad was the district attorney of New Orleans for about 30 years. And when he opened his campaign headquarters back in the early '70s, when I was 5 years old, my mother wanted me to play the national anthem. And they got an upright piano on the back of a flatbed truck and I played it.

As a character, you're working within the realm of what's on the [script] page.

I'm not trying to be romantic. I think you can tell when people are trying to be sexy onstage. When I was doing 'All the Way,' I was really thinking about my wife. People don't know my personal experience, but they can tell it's an honest interpretation.

New Orleans is a city of paradox. Sin, salvation, sex, sanctification, so intertwined yet so separate.

Singers, like Frank Sinatra and myself, we interpret the songs that we like. Not unlike a Shakespearean actor that goes back to the greatest words ever written, we go back to the greatest songs and bring about my interpretation of them.

I'm a big fan of [Frank] Sinatra, he was the best at what he did. The last thing I do is model my career after him, though, because we do different things. He was a great singer and a great actor ... It never crossed my mind to emulate his career, because we have different interests.

They don't make you what you are, you do. You are what you choose to be.