There's some things I can't write about, just terrible personal tragedies.

We have been working with Habitat for Humanity and we have built eighty homes, 80% of which are being lived in by New Orleans' musicians. It is called the Musicians' Village and at the center is the Ellis Marsalis Center for Music.

There's an album by Antonio Carlos Jobim - the album with 'The Girl From Ipanema.' That's the most seductive music ever.

I had a couple albums out that sold well for who I was at the time and the type of music I played. People started recognizing my name and face and it helped sell bigger venues. I had a bigger spotlight and I had to live up to it but I thrived under that challenge. It expedited the creative process. If I was on stage in front of 300 people instead of 30, I had to work harder at my performances because I had a greater responsibility. It was very exciting, but creative too.

You know, things kind of happen organically and, you know, Broadway sort of happened out of a career in performing and - which happened out of practicing piano when I was a kid.

[Frank Sinatra] was an incredible artist, the best at what he did, but it never occurred to me to model my career after what he did. There was no one I modeled my career after because there was no one else who did what I did.

I get terrible reviews everywhere I go.