I had a couple albums out that sold well for who I was at the time and the type of music I played. People started recognizing my name and face and it helped sell bigger venues. I had a bigger spotlight and I had to live up to it but I thrived under that challenge. It expedited the creative process. If I was on stage in front of 300 people instead of 30, I had to work harder at my performances because I had a greater responsibility. It was very exciting, but creative too.

There's an album by Antonio Carlos Jobim - the album with 'The Girl From Ipanema.' That's the most seductive music ever.

[My mother is] a half-Chinese, half-Jamaican woman, who grew up the ninth of nine kids, getting a law degree from Harvard. Academically brilliant, but also incredibly strong-willed and ethical. My mother was like that, my sister is, and my wife is too.

Everything I do is part of my passion. I do the things I like to do. It's sort of a bigger version of having more than one hobby. I love to play piano, sing, and act. I love to do all those things.

New Orleans is my essence, my soul, my muse, and I can only dream that one day she will recapture her glory. I will do everything within my power to make that happen and to help in any way I can to ease the suffering of my city, my people!

My dad and mom believed that you do what you have to do in private and don't make a big deal out of it. Just try to help people as much as you can.

You have to read scripts and audition and develop relationships. It takes a long time to develop a body of work but over the last 25 years I guess I've done that many movies. In hindsight it may seem effortless, but there's a lot of work that goes into it.