The artist lives in an atmosphere of perpetual failure.

There ought to be a law against the sun rising and setting for you in somebody else.

The artist lives in an atmosphere of perpetual failure.

I first became fascinated with the Sears catalogue because all the people in its pages were perfect. Nearly everybody I knew had something missing, a finger cut off, a toe split, an ear half-chewed away, an eye clouded with blindness from a glancing fence staple. And if they didn't have something missing, they were carrying scars from barbed wire, or knives, or fishhooks. But the people in the catalogue had no such hurts. They were not only whole, had all their arms and legs and eyes on their unscarred bodies, but they were also beautiful.

Hell came right along with God, hand in hand. The stink of sulfur swirled in the air of the church, fire burned in the aisles, and brimstone rained out of the rafters. From the evangelist's oven mouth spewed images of a place with pitchforks, and devils, and lakes of fire that burned forever. God had fixed a place like that because he loved us so much.

God love the car. It has shown the naked heart that lives in all of us. Man invented the car but the car -- out of pure malevolence no doubt -- changed the history of the world by reinventing man.

I never wanted to be well-rounded. I do not admire well-rounded people nor their work. So far as I can see, nothing good in the world has ever been done by well-rounded people. The good work is done by people with jagged, broken edges, because those edges cut things and leave an imprint, a design.