I don't think it feels like a burden. We did not really think of it ["Mary and Jane"] that way. I think it is certainly how we branded. The thing it does is enables us to be a little bit surreal.

When we were done and not picked up to series yet, they wanted us to read lots of writers. I was like, "No." Then we finally were picked up. It is hard not to start thinking of story lines. It is like doodling.

The original pilot script [ of "Mary and Jane"], we literally just wrote for fun. It was, let's just do this.

The one thing that we wanted to make sure in the pilot [of "Mary and Jane"] is that we could go everywhere. Part of the fun of them being a delivery service is that they go to different areas episode to episode. We do have an episode in the beach and there is an episode in the luxury rehab. It's all different kinds of things we are making fun of in LA.

We ["Mary and Jane"] did not want to be a weed show, like it is a bunch of people sitting around smoking.

I don't think we had a hard time with ["Mary and Jane"]. It is just, it was the constant management of it.

Totally whatever we want to put in there. Then it was really "Now we are going to make it. We really need to find a consistent tone."I think the pilot ["Mary and Jane"] actually got it. It was more about the other episodes making sure everything else.