I play piano, so when I'm learning a new or difficult piece, at some point I have to enjoy the music of the piece itself, and have confidence that my fingers know where to go. It's the same with acting, there is a point where I have to enjoy the play.

I'm one of those persons who think that watching black people suffer is not an idea of entertainment. I know a lot about African American history, which is just American history, it's always been very fascinating to me. The premise of the play is remembering and honoring those persons whose stories would never be taken into account.

More than a non-acting director, I think I notice when an actor is not believing in themselves. Chicago actors in particular, they work very hard and are very talented, but sometimes they don't trust how talented they are. I notice when they keep something in reserve.

I think that one thing that America is guilty of is not ever apologizing for the greatest sin of the country, which is slavery.

The concept of 'purgatory' is in Catholic Church dogma, and most black people are not Catholic - mostly their Christian realities focus on heaven or hell. Purgatory is for the expiation of sin, the fact that you are there, and not in hell, means you'll eventually work your way to heaven. The experience of this play, 'Small oak tree', and its psychological architecture, relies on its knowledge of that. Many black people believe that this life, within itself, is a way to work out whatever obligations we have, in order to get to a better place.

There may have been great scripts, and perfect actors to fill the roles, but those pilot projects could be stopped at an earlier point. Now, damn near anything can get on the air, but who can get people to watch? There are a lot more choices, even if you get on the air.

The Black church is extremely important in Black America. I think most Americans themselves believe in a divine power, in a god, and I'm sure that that number increases with Black people.