Racism is a common thread among people of color, even though each experience with it is different.

There was a lynching case as late as 2011, so it's not as far away as we think. I think persecution by powerful structures, on a people who are marginalized, is not new. The idea of lynching is well known, and the way we present it in the play makes the lynching somewhat of a relief, compared to the barbaric treatment they were receiving as sharecroppers.

Julie Taymor. She is my gold standard of stage directors. I think she has a comprehensive knowledge of theatrical form, since she lived in Indonesia, Java, Japan and France. Her knowledge of form is limitless. Whenever I get painted in a corner, I think about what form she would use, because that is what she practices. It's about accessing the theater traditions of the whole world.

Hollywood loves to pat itself on the back and espouse their rhetorically liberal points of view while they continue to be the 1 percent and point the finger at the other guy.

I hope that people will come and experience our play 'A Small Oak Tree Runs Red' . I don't want anybody to suffer, but I source the 18th Century philosopher David Hume in association with the experience. He asserted that when we go to a tragic play, and when the form of tragedy is well put together, then we can experience a catharsis that is soul cleansing, and an anodyne to what our life would be like without it.

The United States Justice Department, in my opinion, hasn't done a damn thing to alleviate this horrible manifestation of racism, bigotry and hate against blacks - the first African American President has done nothing. Even if he were inclined to do something to rectify what we are experiencing as a nation, I don't know if can go as far as an artistic expression can go, as salve for the collected suffering of the people.

People learn who they are by the images of themselves, the representations that they seek.