I think in most cases, if you're with good people, comedy creation happens faster in collaboration. That's how I can tell if it's a good collaboration: If it's faster than me by myself, then it works. If it's slower than me by myself, then I get out of the room.

[C. Montgomery] Burns is much purer evil than Nixon was. I think it's the purity of his evil that attracts me as a comic character.

If you're going to do something that lasts 90 minutes, you can't really do it with stick figures.

As a kid, I really did want to hang out with the grownups, so it was hanging out with the hippest grownups in the world. This was the nicest bunch of people I've worked with in show business, with the exception of the people around 'A Mighty Wind.' It really was a wonderful eight years.

I think Nixon says a lot about those times. It was possibly hard, in the '90s and early 2000s to understand the grip of fear that communism had on the country in the 1950s and 1960s - a fear Nixon rode like a endless great wave on the Pacific to high office. I'm sure, though there's no evidence of it, one of the things that rankled him down deep was that it was called McCarthyism and not Nixonism.

I always used to sit next to Mel Blanc when we'd do the shows. When you have Jack Benny on one side and Mel Blanc on the other, you're not going to go far wrong.

I was a Political Science major.