Weirdly, some of the middle stuff of the descent into something going wrong were the hardest, tonally. You don't want to jump the gun and be instantly paranoid about the fact that she has made coffee wrong because that would be weird. It's the slow build and letting it sink in. If they say everything is okay, you believe your partner. You don't want to rattle the boat too much on your honeymoon.

Weirdly, some of the middle stuff of the descent into something going wrong were the hardest, tonally. You don't want to jump the gun and be instantly paranoid about the fact that she has made coffee wrong because that would be weird. It's the slow build and letting it sink in. If they say everything is okay, you believe your partner. You don't want to rattle the boat too much on your honeymoon.

It's a real testament to the amount of skill and talent involved, across the board, whether it's the production design, the construction, the costume design, the other actors, the way it's shot, the directors we had on it, or obviously John's writing. When things do go well, it sometimes seems easy, in a weird way, but it's actually down to a lot of cogs working in a big machine. But, I'm certainly happy to be going back. I'm excited to carry on.

Personally, I just want to work on stuff that challenges me, that excites me, and that I think is original. You want to do something that does to other people what films do to you. It's the most wonderful thing in the world when you can lose yourself from reality and go into a story, and believe it and go on that journey with people, and you have to work that will somehow do that. It won't always, but hopefully sometimes.

Tone is always such an important thing, and that's achieved through a multitude of people. It comes through the writing, it comes through the way it's shot, and it comes through the production design and the sound design.

None of us really know where we're going.

The Victorian world is extremely dark and extremely bright.