And so she comes to dream herself the tree, The wind possessing her, weaving her young veins, Holding her to the sky and its quick blue, Drowning the fever of her hands in sunlight. She has no memory, nor fear, nor hope Beyond the grass and shadows at her feet.

And inasmuch as the bridge is a symbol of all such poetry as I am interested in writing it is my present fancy that a year from now I'll be more contented working in an office than ever before.

And so it was I entered the broken world To trace the visionary company of love, its voice An instant in the wind (I know not whither hurled) But not for long to hold each desperate choice.

The fact that The Bridge contains folk lore and other material suitable to the epic form need not therefore prove its failure as a long lyric poem, with interrelated sections.

The form of my poem rises out of a past that so overwhelms the present with its worth and vision that I'm at a loss to explain my delusion that there exist any real links between that past and a future worthy of it.

It has taken a great deal of energy, which has not been so difficult to summon as the necessary patience to wait, simply wait much of the time - until my instincts assured me that I had assembled my materials in proper order for a final welding into their natural form.

I can remember much forgetfulness.