I decided I was going to tell these stories. I went around and met Crumb. He was the cartoonist. I started realizing comics weren't just kid stuff.

Every ethnic group thinks they are the chosen ones.

It seemed to me you could do anything in comics. So I started doing my thing, which is mainly influenced by novelists, stand-up comedians, that sort of thing

I don't think I made any really big mistakes; it's just that I chose something difficult to do. Looking back, I suppose I should be grateful that I got as far as I got.

And no business can possibly equate happy workers (community) with profit (effectiveness). Happy workers are much more productive workers and hence contribute to profit, but no organization is formed for the idea of pleasing its employees.

I really don't have a lot in common with the people who attend the Comic Con. It's like assuming that all people who write prose are the same.

Since about 1980 Kenny Werner has been one of jazz’s unsung heroes