I thought I had a great opportunity when I started doing my comic book in 1972. I thought there was so much territory to work in.

Misery loves company. There's a lot to that.

It's extremely seldom that anybody wants me to change what I've written about them. Generally I portray them in a good light, if they're friends

And no business can possibly equate happy workers (community) with profit (effectiveness). Happy workers are much more productive workers and hence contribute to profit, but no organization is formed for the idea of pleasing its employees.

Even a pretty traditional comic book writer can make valuable contributions to the Internet.

I don't think I made any really big mistakes; it's just that I chose something difficult to do. Looking back, I suppose I should be grateful that I got as far as I got.

I write scripts in storyboard fashion using stick figures, and thought balloons and word balloons and captions. Then I'll write descriptions of what scenes should look like and turn it over to the artist