That force - which the system tried to laugh at - when it finally broke through and the movement was recognized, the media said they were "just a bunch of spoiled kids, dope smokers [who] don't know what the hell they want." To demean it as something laughable - but that didn't work for very long. It's still an ongoing struggle; they're trying to find out how to fight. It's very exciting times.
Haskell WexlerWhen you hear the word tear gas you think, well, your eyes will burn and that's it. But that whole feeling of your whole skin burning, that you can't breathe, you can't inhale, you feel suffocated - it's a very, very terrifying experience.
Haskell WexlerThere is a very particular feeling I get when I have the camera in my hand, looking at an actor talk, knowing that what Iām shooting will end up on the screen.
Haskell WexlerI had a rope around my waist, and the rope was attached into the helicopter in case I fell off. And the shot was a shot that began with Kim Novak going out of a house and getting into a bus. Then it was supposed to go over the countryside and find a freight train on which Bill Holden was standing. And then after seeing a good look at the freight train, the camera was supposed to move up into the sky for the end credits.
Haskell WexlerThe idea of accountability in Vietnam, Nicaragua and now Iraq - the media never has that in its quiver. When you see time after time there is no possibility of Nuremberg [war crime trials], we're doomed to have it repeated.
Haskell WexlerWhen I started, we had just the camera and the person, mostly. And if you wanted to do a dolly shot, particularly working in Chicago where I began, you'd get in the back trunk of a car, and you'd have a friend drive the car, or you'd get in some kid's little wagon that he plays with and have someone pull that for dolly shots.
Haskell Wexler