I've been in wars and in riots and hung out of many helicopters in the early days. And there's a detachment that happens when you look through the camera. You're looking for the shot.
Haskell WexlerWhen I was in Vietnam with Jane Fonda, I was shooting a farmer in a field - just a pastoral scene. And while I was shooting him, an explosion occurred right - he blew up right in my lens, so to speak. And he had stepped on a landmine.
Haskell WexlerI don't know where you're reading all this stuff, but it's pretty accurate, yes. It was in 1942. I was on a ship called the Accelo(ph) coming back from the Red Sea and we were sunk off the coast of Africa by a German submarine. And I was in a lifeboat for 14 days and landed and lived with the Pondos in South Africa while - who took care of us and took care of me. I had some wound in my left leg.
Haskell WexlerI am part of a system which encourages people to buy things and do things which are not to their best interest.
Haskell WexlerThat force - which the system tried to laugh at - when it finally broke through and the movement was recognized, the media said they were "just a bunch of spoiled kids, dope smokers [who] don't know what the hell they want." To demean it as something laughable - but that didn't work for very long. It's still an ongoing struggle; they're trying to find out how to fight. It's very exciting times.
Haskell WexlerI was shooting all this time. And there was only one guy who helped to pull him. And I had to think whether I was going to keep shooting or help the guy. And so I kept shooting and then they put him in this little clinic, and I photographed through the window while they had to amputate his leg. And I felt very strange because I didn't - I felt I could have helped, but I didn't help. But then I also felt elated that I was getting a shot that would be important to the film.
Haskell Wexler