My stories were translated and had many reviews before I had an interview with any international or Arab newspaper. If the stories hadn't succeeded, you wouldn't have asked me my position on Arab festivals and I wouldn't have been interested in the festivals anyway, because I would be in seclusion, writing.

It's true that we in Iraq are now paying a heavy price as a consequence of senseless violence, but nonetheless there are many positive things happening generally on the part of people in Arab countries who were living in darkness and absolute silence because of dictatorship. The people in Arab countries are now speaking out and asking many questions about human rights, minorities, religion, democracy, "the other," and so on.

My stories were translated and had many reviews before I had an interview with any international or Arab newspaper. If the stories hadn't succeeded, you wouldn't have asked me my position on Arab festivals and I wouldn't have been interested in the festivals anyway, because I would be in seclusion, writing.

I've been working on the margins and I was aware of this choice from the start. I buy most of what's written and produced in the Arab world and I don't much like it.

The Arab world is full of corruption, in the time of the dictatorships and in the time of anarchy. This corruption is not only in politics and the economy, but also in the field of creative activity. There's an elite that controls the festivals, the newspapers, and the reviews. They are just a corrupt clique with no interest in creativity.

Losing hope means ceasing to love my son and my girlfriend and many friends and people around the world.

The Iran-Iraq war began the same year that I went to primary school, at the age of six.