The beauty of Broadway is that if I'm 60 or 70 years old, if they'll accept me back, I can go back. So I think for right now I'm going to focus on the music--it's the new baby--and see how it's going to work out, and then maybe in a few years maybe I'll go back.

I just want to create amazing music that speaks and defines who I am. I want it to be based on my life and/or what I am going through at that specific time.

When I was growing up, I grew up in church--my father was a pastor--so when I was growing up in Trinidad, I'd close all the windows in the church and go in the church every day after school and get a little microphone and pretend all these people were in the pews, and I would sing to them.

My husband is very supportive and is there for the kids, especially when I'm in projects such as The Color Purple.

I had to get used to the theater atmosphere because I haven't had a role on Broadway since Aida. It was a different process from day one because I was learning my parts by myself.

I like to think about the quality, content, and concept for my music because I think these are the most important things and it just molds everything together.

I grew up on the island, Trinidad to be exact, and I never thought it would be possible. These sort of things happen once in a lifetime. I just know God is bigger than me and everything I do is to serve and please Him.