There's a lot of really wonderful things about the United States of America, especially its ethnic diversity and its mostly successful struggle to create a democracy out of many different cultures. So, we have a lot of capital as a people, we have a lot of cultural capital to keep our democracy going.

I just feel that art is more important than ever, that art is something that can unify us, that can make America stronger.

I'm, by nature, a really optimistic person. It goes back to my parents having been each divorced three times and my finding some way to survive all that. I always managed to survive by being upbeat.

I am someone who is fascinated with European German history, the Holocaust, and to see these parallels in our own democratic system, and then to see them come to this absolutely incredible climax, and this fruition with the election of The Donald, it was just too much.

What we're trying to do as writers is rescue, preserve this space of thoughtfulness of language, of a deeper and more honest appreciation of our reality. And, so, we have to work even harder as writers against this tide of silliness, against this tide of superficiality, against this horrible Greek chorus on Twitter where everyone is insulting each other and now we have an insulter-in-chief, who's risen to the presidency by insulting people.

I want to bring Americans into some experiences they ordinarily would not consider. Experiences in Latin America, people in Latin America, I want to bring them closer to those people, and I know I have to work extra hard at my craft to reach across these increasing chasms, these gaps that exist between different kinds of Americans, and that's the work of the artist, is to create these works that sort of help us understand our time.

Maybe innocence is a skin you must shed to build layers more resistant to the caustic truths of the world.