I want the plot to be as complicated as possible. Usually I'll write all the way through to an end, and then I go back and try to fix the ending so that it makes sense. I don't think out the plot ahead of time.

Whether I'm writing about plumbers or psychics or psychic plumbers, I want to find a creative space that imprisons me usefully, so I can deviate with purpose.

If you agree with an outside person's interpretation of you, that's a happy bit of affirmation. It means you're communicating externally what you believe to be true internally. If you disagree, it helps clarify how you understand yourself. And maybe makes you productively question how to improve your communication skills.

I've subsequently become conscious of MAKING MEMORIES. Which makes me sound like a scrapbooker.

No matter what you wear, not everyone is going to understand what you're saying.

People don't hijack planes anymore because that old system of hijacking in order to barter for a prison release or get to a different country no longer works, exactly, because 9/11 recoded the hostage's interpretation of a hijack. If a hijacker isn't trying to use the plane as a missile, then he is in danger of being killed by the hostages. There is no minor terror threat anymore. No mid-level terrorism.

I have a daughter who, when younger, possessed no barrier between her emotional self and the outside world. Her emotional insides spilled out all over, and, especially when I was sleep-deprived and probably a little paranoid, this really threatened me. It was as if she were embodying and expressing the insecurities and freaked-outedness I never express, and which I've learned over the years to keep hidden.