I want the plot to be as complicated as possible. Usually I'll write all the way through to an end, and then I go back and try to fix the ending so that it makes sense. I don't think out the plot ahead of time.

You should never read online comments if you want to keep thoughts above the belt.

I like playing with a popular cliché and making it my own by half-embracing it, half-disemboweling it.

If, at some future point, my face collapses around my eyes, I'd probably do something about it. My eyes are where I live, and if people couldn't see them, no one would know me.

I really did for a few weeks think, I'm in pain because the world needs me to save it. Which is so ridiculous and egotistical.

I guess what I find so interesting about memory, and its role in a person's identity, is how the attempt to achieve accuracy requires you to remove yourself from your life in an authorial manner.

I don't think women are, by definition, toxic to one another. I think women are simultaneously competitive toward and idolatrous of each other. I thrive on that challenge and that desire.