There are so many images pushed at women and so many ideas of what you're supposed to be. I think there's too much of this superwoman, this woman with a bottom like two billiard balls. There's no real celebration of just being a person.

You see, things being good has nothing to do with how you feel outside, it is all to do with how you are inside.

I always market research my books before I hand them in by showing them to five or six close friends who I trust to be honest with me, so they are very heavily re-written already.

That's when the idea for Mad About the Boy arrived. It wasn't even a Bridget [Jones] story initially - then I realized I was writing in Bridget's voice and it grew from there into a Bridget novel.

It is a truth universally acknowledged that as soon as one part of your life starts looking up, another falls to pieces.

In terms of Bridget [Jones] I honestly don't know. One thing I can say for sure is that all of these stories have been an honest, instinctive expression of something I felt or observed at the time. I would never cynically think "Oh that would sell well next."

More than two years after Mad About the Boy was published, the [Bridget Jones's Baby: The Diaries ] movie started coming together. I felt better about the material, and found myself writing a letter from Bridget to her son: explaining the original story of how he came to be, from his own Mum.