When I was making films [early in my career] there were very, very few female directors, and there were certainly no women on set, which made taking one's clothes off all the more difficult.

It's outrageous. It's ridiculous. And 'twas ever thus. We all watched James Bond as he got more and more geriatric, and his girlfriends got younger and younger. It's so annoying.

With that incredible voice that he [Alan Rickman] could play like a sort of wonderful instrument, like a cello or something. He played his voice, and he could be the most subtle of actors. And he could also be quite a big actor. He could do the grandiose performances as well.

When I was doing Shakespeare and I had spent a lot of time and effort in trying to become a great Shakespearean actress. That was how I started my career, was in the theater doing Shakespeare. And my ambition was to be a great classical actress. That was what I wanted more than anything. So, I really pursued that in the first four years of my career. And it was an uphill struggle. It really was. Shakespeare's difficult and Shakespeare in a big theater is even more difficult. So, anyway, it was a struggle for me.

I wonder what it means when Americans say I'm an American. In Britain the culture is basically the same from one end of the country to the other. And when I came here and I saw Americans who live, I don't know, in you know, Northwestern California as opposed to Americans who live in Louisiana, as opposed to Americans who live in the Nevada desert. English even is literally a picture that I have in my mind of an oak tree in the field, a single oak in a green field. And also when I think of my Russian roots, it's the landscape that I connect with as more than maybe the poetry or the drama.

Everyone wants to be a movie star or a model, to be in the papers, but few realise just what hard work it is, getting up early, and so on.

I'm not an impersonator. I'm a lousy impersonator, actually.