What you want is a comfortable environment that you feel you can invent in. Because film is such a lumbering, technical, huge, great Neanderthal thing, it's hard to create that little space of peace, and calm, and creativity, and ease. That's what you want the director to create for you, so that when you walk on the set, you forget all of that, and the fact that it's costing gazillions of dollars a second.

I love that country [Israel].

I couldn't handle the rules the Queen has to live by at all, and very few of us could. It's a golden cage, really. You're never alone in that role - you are always surrounded by security.

I always feel when you work with an artist and whenever I work with a really good photographer, I try to give him or her their own artistic freedom because that's the way you get the best work or at least the most interesting work.

I am not too keen on my nose, I don't like my knees, I hate my ankles, I am unsure about my behind, I don't like my legs at all. I am not too sure about my chin, my forehead is a bit dodgy. But, overall, I can live with it.

The whole 'R' rating depends on a strange sort of fantasy land where all adults are responsible people, and children only ever go to the cinema with their parents.

When I came into the acting profession, it was quite hierarchical. You didn't sit at the same table as the leading actor. Sir Laurence Olivier, Sir John Gielgud... these were very, very intimidating and powerful people.