What you want is a comfortable environment that you feel you can invent in. Because film is such a lumbering, technical, huge, great Neanderthal thing, it's hard to create that little space of peace, and calm, and creativity, and ease. That's what you want the director to create for you, so that when you walk on the set, you forget all of that, and the fact that it's costing gazillions of dollars a second.

It's so hard when you're young to look at older people and understand that they have been where you are. It's the weirdest thing. You just can't get your head around that, can you? You can't get your head around the fact that someone who is 60 was once 16, if you're 16. But the fact is they have been, and they remember it.

I believe in meditation - it's a good tool to centre yourself, but unfortunately, I'm too lazy to do it. It's very hard work, and I prefer to watch 'Nothing To Declare' on TV!

I'm under the impression that this notion of decency is disappearing from our society where conflicts are made worse on cinema and on television, where people are nasty and cruel on the Internet and where, in general, everybody seems to be very angry.

When I'm choosing projects to be a part of it's always a combination of so many different things. The primary thing is the director. But a very important element is, is it different enough from anything else I've ever done, or what I've last done.

When you do a voice in an animated film, you don't see the finished product at all. You're not animating. You're not doing the voice on the finished product. You're doing the voice long before.

A woman with knowledge is something that frightens the status quo quite a lot.