I believe kids shouldn't be taught Shakespeare. They should experience it first by seeing a great production.

What you want is a comfortable environment that you feel you can invent in. Because film is such a lumbering, technical, huge, great Neanderthal thing, it's hard to create that little space of peace, and calm, and creativity, and ease. That's what you want the director to create for you, so that when you walk on the set, you forget all of that, and the fact that it's costing gazillions of dollars a second.

A war film can be propaganda and they're very valuable as propaganda, as we realized in Britain in the Second World War. Film as propaganda is a very valuable tool. It can also demonize, which is the dangerous side of a war film as propaganda. But there are war films that are not propaganda. It's just saying 'This is what it's like.' For 99 percent of us we don't know what it's like. We have no idea. So to reveal that to the audience is powerful.

I wonder what it means when Americans say I'm an American. In Britain the culture is basically the same from one end of the country to the other. And when I came here and I saw Americans who live, I don't know, in you know, Northwestern California as opposed to Americans who live in Louisiana, as opposed to Americans who live in the Nevada desert. English even is literally a picture that I have in my mind of an oak tree in the field, a single oak in a green field. And also when I think of my Russian roots, it's the landscape that I connect with as more than maybe the poetry or the drama.

You can't control how other people see you or think of you. But you have to be comfortable with that.

I certainly think that he [Alan Rickman] was a kind of actor who needed to grow into his maturity to realize the potential, the huge potential that he had.

They’re called action scenes because they do the acting for you. You don’t have to act in action scenes.