I've always found as an actress that the best thing to do in film or TV or theater is just to lose yourself in it. Think of the story, the character, the worlds we're in, and forget everything else.

What I feel personally and what I can act are two different things. Maybe one of the great pleasures of my job is being able to inhabit worlds that you are never going to inhabit personally.

I think every woman in our culture is a feminist. They may refuse to articulate it, but if you were to take any woman back 40 years and say, 'Is this a world you want to live in?' They would say, 'No.'

Women are always self-effacing and self-denying. There's a term that enrages me, and I always used to swear that I'd never play characters described that way. The term is "long-suffering."

I love photography and I love the art of photography. So when I'm working with high-level art photographers, I give them artistic freedom because I want that for myself when it's my turn to do my work and I never try and control it or say I'll only do this or I want it like that.

I certainly think that he [Alan Rickman] was a kind of actor who needed to grow into his maturity to realize the potential, the huge potential that he had.

When I was doing Shakespeare and I had spent a lot of time and effort in trying to become a great Shakespearean actress. That was how I started my career, was in the theater doing Shakespeare. And my ambition was to be a great classical actress. That was what I wanted more than anything. So, I really pursued that in the first four years of my career. And it was an uphill struggle. It really was. Shakespeare's difficult and Shakespeare in a big theater is even more difficult. So, anyway, it was a struggle for me.