You learn to rely on a few basic movements and use your voice to the greatest extent possible to convey your emotions. So there was a technical challenge there and a responsibility to create a character from behind the mask.

All the ancient classic fairy tales have always been scary and dark.

I was weird right from the start. It's just that you can't ever expect people to get you. And I do think that really did mess with my head, being well-known young, when you really don't know who you are.

I have to struggle to change people's perceptions of me. I grew very frustrated with the perception that I'm this shy, retiring, inhibited aristocratic creature when I'm absolutely not like that at all. I think I'm much more outgoing and exuberant than my image.

It feels like a rash. It suddenly seems like I've got a contagion of diseases, I mean awards. But it's nice, it's a nice feeling. It's so weird, because I'm only 46. A lifetime Achievement award... it feels like 'I'm not over yet'. I hope they're not trying to say it's time to stop. I'm only just getting the gist of it.

Journalists are always calling my features Edwardian or Victorian, whatever that means. I am small, and people were smaller in those times. I'm pale and sickly-looking. I look fragile-like a doll. But sometimes I just wish I had less of a particular look, one that was more versatile.

I'm often criticised for what I wear. That's my main label in the press now: disastrous dresser!