I like photographing women who appear to know something of life. I recently did a session with a great beauty, a movie star in in her thirties. I photographed her twice within three weeks and the second time I said: "You're much more beautiful today than you were three weeks ago." And she replied: "But I'm also three weeks older.

I was lucky to have my wife as the art director, and it turned out to be quite something - a great success. I'm very proud of it.

It's that I don't like white paper backgrounds. A woman does not live in front of white paper. She lives on the street, in a motor car, in a hotel room.

You should feel that, under the right conditions, all women would be available.

I spend a lot of time preparing. I think a lot about what I want to do. I have prep books, little notebooks in which I write everything down before a sitting. Otherwise I would forget my ideas.

I hate good taste. It's the worst thing that can happen to a creative person.

They often ask me to shoot for them. But I say no. I think an old guy like me ought not take pages away from young photographers who need the exposure.