Only a fraction of the camera's possibilities interests me - the marvelous mixture of emotion and geometry, together in a single instant.

Photography is, for me, a spontaneous impulse coming from an ever attentive eye which captures the moment and its eternity.

This recognition, in real life, of a rhythm of surfaces, lines, and values is for me the essence of photography; composition should be a constant of preoccupation, being a simultaneous coalition - an organic coordination of visual elements.

Your eye must see a composition or an expression that life itself offers you, and you must know with intuition when to click the camera.

Why do photographers start giving numbers to their prints? It’s absurd. What do you do when the 20th print has been done? Do you swallow the negative? Do you shoot yourself? It’s the gimmick of money.

Photography has not changed since its origin except in its technical aspects, which for me are not important.

In whatever one does there must be a relationship between the eye and the heart.