To me, photography is the simultaneous recognition, in a fraction of a second, of the significance of an event.

With the one eye that is closed, one looks within, with the other eye that is open, one looks without.

As photojournalists, we supply information to a world that is overwhelmed with preoccupations and full of people who need the company of images....We pass judgement on what we see, and this involves an enormous responsibility.

I'm not responsible for my photographs. Photography is not documentary, but intuition, a poetic experience. It's drowning yourself, dissolving yourself, and then sniff, sniff, sniff - being sensitive to coincidence. You can't go looking for it; you can't want it, or you won't get it. First you must lose your self. Then it happens.

Pictures, regardless of how they are created and recreated, are intended to be looked at. This brings to the forefront not the technology of imaging, which of course is important, but rather what we might call the eyenology (seeing).

To photograph: it is to put on the same line of sight the head, the eye and the heart.

The simultaneous recognition, in a fraction of a second, of the significance of an event as well as the precise organization of forms which gives that event its proper expression... In photography, the smallest thing can be a great subject. The little human detail can become a leitmotif.