In whatever one does there must be a relationship between the eye and the heart.

In every photographer there is something of a stroller.

Some photographs are like a Chekhov short story or a Maupassant story. They're quick things and there's a whole world in them. But one is unconscious of it while shooting.

One eye of the photographer looks wide open through the viewfinder, the other, the closed looks into his own soul.

To photograph: it is to put on the same line of sight the head, the eye and the heart.

We cannot develop and print a memory.

Freedom for me is a strict frame, and inside that frame are all the variations possible.