Poor body, time and the long years were the first tailors to teach you the merciless use of clothes. Though some scold today because you are too much seen, to my mind, you are not seen fully enough or often enough when you are beautiful.

The adventure of the sun is the greatest natural drama by which we live.

A garden is the mirror of a mind. It is a place of life, a mystery of green moving to the pulse of the year, and pressing on and pausing the whole to its own inherent rhythms.

We patronize the animals for their incompleteness, for their tragic fate of having taken form so far below ourselves. And therein we err, and greatly err. For the animal shall not be measured by man. In a world older and more complete than ours, they are more finished and complete, gifted with extensions of the senses we have lost or never attained, living by voices we shall never hear. They are not brethren, they are not underlings; they are other Nations, caught with ourselves in the net of life and time.

If there is one thing clear about the centuries dominated by the factory and the wheel, it is that although the machine can make everything from a spoon to a landing-craft, a natural joy in earthly living is something it never has and never will be able to manufacture.

Our civilization has fallen out of touch with night. With lights, we drive the holiness and beauty of night back to the forests and the sea; the little villages, the crossroads even, will have none of it. Are modern folk, perhaps, afraid of night? Do they fear that vast serenity, the mystery of infinite space, the austerity of stars?

We of the age of the machines, having delivered ourselves of nocturnal enemies, now have a dislike of night itself. With lights and ever more lights, we drive the holiness and beauty of night back to the forests and the sea.