A written word is the choicest of relics. It is something at once more intimate with us and more universal than any other work of art. It is the work of art nearest to life itself. It may be translated into every language, and not only be read but actually breathed from all human lips; -- not be represented on canvas or in marble only, but be carved out of the breath of life itself.

With wisdom we shall learn liberality.

We 've wholly forgotten how to die. But be sure you do die nevertheless. Do your work, and finish it. If you know how to begin, you will know when to end.

So soon did we, wayfarers, begin to learn that man's life is rounded with the same few facts, the same simple relations everywhere, and it is vain to travel to find it new.

Individuals, like nations, must have suitable broad and natural boundaries, even a considerable neutral ground, between them.

The woodchopper reads the wisdom of the ages recorded on the paper that holds his dinner, then lights his pipe with it. When we ask for a scrap of paper for the most trivial use, it may have the confessions of Augustine or the sonnets of Shakespeare, and we not observe it. The student kindles his fire, the editor packs his trunk, the sportsman loads his gun, the traveler wraps his dinner, the Irishman papers his shanty, the schoolboy peppers the plastering, the belle pins up her hair, with the printed thoughts of men.

Making a logging-road in the Maine woods is called "swamping" it, and they who do the work are called "swampers." I now perceivedthe fitness of the term. This was the most perfectly swamped of all the roads I ever saw. Nature must have coöperated with art here.