Is it the lumberman, then, who is the friend and lover of the pine, stands nearest to it, and understands its nature best? Is it the tanner who has barked it, or he who has boxed it for turpentine, whom posterity will fable to have been changed into a pine at last? No! no! it is the poet: he it is who makes the truest use of the pine-who does not fondle it with an axe, nor tickle it with a saw, nor stroke it with a plane. . . .

Science with its retorts would have put me to sleep; it was the opportunity to be ignorant that I improved. It suggested to me that there was something to be seen if one had eyes. It made a believer of me more than before. I believed that the woods were not tenantless, but choke-full of honest spirits as good as myself any day,--not an empty chamber, in which chemistry was left to work alone, but an inhabited house,--and for a few moments I enjoyed fellowship with them.

I have traveled a good deal in Concord; and everywhere, in shops, and offices, and fields, the inhabitants have appeared to me to be doing penance in a thousand remarkable ways.

If a plant cannot live according to its nature, it dies; and so a man.

How full of the creative genius is the air in which these [snowflakes] are generated! I should hardly admire them more if real stars fell and lodged on my coat. Nature is full of genius. Full of the divinity. So that not a snowflake escapes its fashioning hand.

That aim in life is highest which requires the highest and finest discipline.

Seeds, there are seeds enough which need only be stirred in with the soil where they lie, by an inspired voice or pen, to bear fruit of a divine flavor.