With the latitude of unbounded scurrility, it is easy enough to attain the character of a wit, especially when it is considered how wonderfully pleasant it is to the generality of the public to see the folly of their acquaintance exposed by a third person.

It is admirably remarked, by a most excellent writer, that zeal can no more hurry a man to act in direct opposition to itself than a rapid stream can carry a boat against its own current.

A lover, when he is admitted to cards, ought to be solemnly silent, and observe the motions of his mistress. He must laugh when she laughs, sigh when she sighs. In short, he should be the shadow of her mind. A lady, in the presence of her lover, should never want a looking-glass; as a beau, in the presence of his looking-glass, never wants a mistress.

Great vices are the proper objects of our detestation, smaller faults of our pity, but affectation appears to be the only true source of the ridiculous.

Affectation proceeds from one of these two causes,--vanity or hypocrisy; for as vanity puts us on affecting false characters, in order to purchase applause; so hypocrisy sets us on an endeavor to avoid censure, by concealing our vices under an appearance of their opposite virtues.

What caricature is in painting, burlesque is in writing; and in the same manner the comic writer and painter correlate to each other; as in the former, the painter seems to have the advantage, so it is in the latter infinitely on the side of the writer. For the monstrous is much easier to paint than describe, and the ridiculous to describe than paint.

To the generality of men you cannot give a stronger hint for them to impose upon you than by imposing upon yourself.