The historical legacies of resistance to racism, militarism, privatization and panoptical surveillance have long been forgotten and made invisible in the current assumption that Americans now live in a democratic, post-racial society.

I think the very idea of the social contract is in disarray.

What has changed about an entire generation of young people includes not only neoliberal society's disinvestment in youth and the lasting fate of downward mobility, but also the fact that youth live in a commercially carpet-bombed and commodified environment that is unlike anything experienced by those of previous generations. Nothing has prepared this generation for the inhospitable and savage new world of commodification, privatization, joblessness, frustrated hopes and stillborn projects.

With the rise of new technologies, media, and other cultural apparatuses as powerful forms of public pedagogy, students need to understand and address how these pedagogical cultural apparatuses work to diffuse learning from any vestige of critical thought. This is a form of public pedagogy that needs to be addressed both for how it deforms and for how it can create important new spaces for emancipatory forms of pedagogy.

Historical memory is a potent weapon in fighting against the desert of organized forgetting and implies a rethinking of the role that artists, intellectuals, educators, youth and other concerned citizens can play in fostering a reawakening of America's battered public memories.

Increasingly, poor minority and white youth are being funneled directly from schools into prison.

Cynicism, disillusionment, and a dispiriting sense of purposeless has cast a shadow over American society seriously draining it of any language or vision that might imagine a different sort of society from the dysfunctional, militarizing, and deeply unequal social order that marked the current historical period.