One of my latest sensations was going to Lady Airlie's to hear Browning read his own poems - with the comport of finding that, at least, if you don't understand them, he himself apparently understands them even less. He read them as if he hated them and would like to bite them to pieces.

To say that she had a book is to say that her solitude did not press upon her; for her love of knowledge had a fertilizing quality and her imagination was strong. There was at this time, however, a want of lightness in her situation, which the arrival of an unexpected visitor did much to dispel.

No sovereign, no court, no personal loyalty, no aristocracy, no church, no clergy, no army, no diplomatic service, no country gentlemen, no palaces, no castles, nor manors, nor old country-houses, nor parsonages, nor thatched cottages nor ivied ruins no cathedrals, nor abbeys, nor little Norman churches no great Universities nor public schools -- no Oxford, nor Eton, nor Harrow no literature, no novels, no museums, no pictures, no political society, no sporting class -- no Epsom nor Ascot Some such list as that might be drawn up of the absent things in American life.

Don't try so much to form your character - it's like trying to pull open a tight, tender young rose. Live as you like best and your character will take care of itself.

The artist is present in every page of every book from which he sought so assiduously to eliminate himself.

An Englishman's never so natural as when he's holding his tongue.

In a play, certainly, the subject is of more importance than in any other work of art. Infelicity, triviality, vagueness of subject, may be outweighed in a poem, a novel, or a picture, by charm of manner, by ingenuity of execution; but in a drama the subject is of the essence of the work-it is the work. If it is feeble, the work can have no force; if it is shapeless, the work must be amorphous.