Once you get an agent you're given an opportunity to try a little bit more. It's a really long ladder.

I made films with my brothers and my cousins and if any of the films ever come to fruition my career will be in ruins because the acting, writing, and directing is so unbelievably, heinously bad. We once screened one for my grandfather, this film that we had painstakingly made over a couple of days when we were all 10 years old, and he sat there and he said, "This is the worst film I've ever seen." No sympathy whatsoever.

If you want an honest dialogue, you can't criticize someone for what they say. You can't teach someone to think in a certain way.

I can think of a handful of auditions where the director has literally said, "That is the opposite of what I think." But it's really good to be honest and have that dialogue. I don't think you should be criticized though.

I suppose it's really satisfying to play someone with secrets. It's really satisfying to decide how and when those things are going to start being revealed, and how subtle to be.

I think you have moments of doubt and moments where it feels really hard. You certainly have to be patient, and I'm a very impatient person. It's been like when Yoda teaches Luke to be a Jedi; the things that I do professionally have taught me new levels of patience.

I wasn't particularly prolific at sport, and I could get by at school, but I wasn't going to win any prizes. Suddenly people were slapping me on the back and saying that I was funny and talented. So I just knew that it felt good to be appreciated, basically. Whenever I got an opportunity to do some acting I did a little bit more.