Arnold Rampersad's stunningly revealing biography has, at long last, unveiled-in magisterial prose-the very complex and vulnerable man behind Ralph Ellison's own masks and myths. One of the nation's most brilliant writers emerges as all the more fascinating precisely because he was so very human. Painstakingly researched and compellingly written, Ralph Ellison is a masterwork of the genre of literary biography.

In the old days, you lived in one neighborhood, you knew all your neighbors and your daughter married the guy next door. That was social and economic progress. That model is gone now. We also had a world order that was fraught but fairly stable.

The Dominican Republic says 'We're black behind the ears.' And in Mexico, 'there's a black grandma in the closet.' They know, they've just been intermarrying for a long time. But if we did the DNA of everyone in Mexico a whole lot of people would have a whole lot of black in them.

Insofar as we, critics of the black tradition, master our craft, we serve both to preserve our own traditions and to shape their direction. All great writers demand great critics.

I'd say imagine that you wake up one morning when you're going through a midlife crisis. You're getting divorced. Your kids won't speak to you. Their faces are covered with acne, and you have to decide why you should get out of bed. That's the career you should pick. The one that keeps you going no matter what, even if your life is falling apart. That's how I feel about my career.

The truth is I would do my job for free! I love it every day. If you can possibly choose a vocation that's an avocation, a job that's really a hobby, then you'll be way ahead of the game. You should not pick an occupation because your think your parents want you to do it, or because you think it's the noble thing to do. You should only pick a job because it turns you on.

One must learn how to be black in America.